I have found centring the designs around window studies problematic. The minimal composition does not lend itself to the more intangible themes such as a brooding atmosphere.
I have also looked at creating compositions which centre around a line of sight, or the illusion of depth.
There is an opportunity to unify each image with a fixed-point perspective. However, I would suggest this limits the ability to use text within the image.
Using an off-centred line of sight seems somewhat more dynamic, as it partially obscures some visual information, which could be exploited to create an atmosphere of mystery and intrigue.
Unfortunately, this composition also lacks the space for the title text, which I hope to involve directly into the imagery.
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